Sunday, March 29, 2015

Katherine Graham, Confidence

She came late in life to leading The Post.  She hired bold editors who she had little control over, and she backed them up on key decisions.  It's not easy to hire someone you know has a stronger personality than you, or who is more capable than you. She made bold decisions and stuck with them, although she was personally socially awkward and lacked confidence.

From The Washington Post obituary:

Mrs. Graham's imprint was the product both of her values, which suffused the paper, and of the crucial decisions she made about its leadership and direction. At The Post and Newsweek, she chose great editors, such as The Post's Benjamin Bradlee, and then gave them the independence and resources they needed to produce strong journalism. She also supported them at crucial moments, when their work was doubted or under attack by powerful forces in and outside of government. Two of those cases helped define her career, and The Post: her refusal to bow to the government's efforts to block publication of the Pentagon Papers and her backing of the paper's coverage of the Watergate scandal.

Her decision in 1971 to publish the Pentagon's secret history of the Vietnam War, after a federal court already had blocked the New York Times from doing so, was even harder than it appears in retrospect. There was nothing harmful to national security in the papers, but the Nixon administration claimed otherwise, and its henchmen were not above threatening The Washington Post Co.'s television licenses. Mrs. Graham's lawyers advised against publication; they said the entire business could be ruined. But after listening to the arguments on both sides, Mrs. Graham said, "Let's go. Let's publish." In those circumstances, she didn't believe that the government ought to be telling a newspaper what it could not print.

Katherine Graham: Being an outsider was the key to her greatness

Being an outsider was the key to her greatness.  Not because she used it as a tool in some way, but simply because it gave her a perspective others in similar positions never had.
From Newsweek, An American Original, Evan Thomas 7/29/01
Katharine Meyer Graham was not, by a long shot, an Everywoman. She employed a personal French chef, and NEWSWEEK correspondents, escorting her to see various world leaders, learned to make sure that the hairdresser and driver were on time. Her dinner parties for official Washington at her imposing house on R Street in Georgetown had an almost imperial air. When her mouth tightened and her eyes flashed, she could be imperious. But she was at other times vulnerable and painfully shy. Standing, a bit wobbly, at a cocktail party before a black-tie bash for Washington journalists and bigwigs a couple of years ago, the woman generally regarded as the social arbiter of the nation's capital said to New York Times columnist Maureen Dowd, "I hate these things. I never know what to say."
Mrs. Graham's occasional awkwardness could be off-putting and intimidating. But in a complicated human way, her weakness became a source of strength. Her sense of herself as an outsider, of not really belonging, was ultimately a key to her greatness. She often said she felt dowdy and dull next to her dashing, brilliant husband, the late Philip Graham. But she turned out to be a better journalist. Phil Graham wanted to be a player and kingmaker, not a mere publisher. When the Kennedy White House embarrassed the United States by staging a failed CIA-backed invasion of Cuba in 1961, Graham crossed the line between the publisher's office and the newsroom to water down a NEWSWEEK cover story about the fiasco. The Post's publisher was a patriot, but at the same time he did not want to go too hard on his close friend President Kennedy or his buddies in the CIA. A decade later his widow showed no such deference toward the Nixon administration--and struck a blow for all time against the abuse of power.
...
When George W. Bush came to Washington last winter as the 43d president, one of his first acts, arranged through a go-between, was to get himself invited to Mrs. Graham's for dinner. Characteristically, she gathered 100 of the most powerful business and media leaders in America, including Bill Gates and Warren Buffett. When Bush arrived, she ushered him around, careful to make sure that the president was never "trapped" for too long with a boring guest. An old friend observed how nervous she had been that everything go right, how she fretted all day long over the smallest details.
The most celebrated hostess in America never got over her social anxiety. But her friends thought that she had obtained a measure of peace in her last few years, especially after the publication of "Personal History." The reviewers gushed: her literary skills, they testified, exceeded those of any of the "professionals" on her payroll. The book went straight to No. 1 on the best-seller list and stayed there. Bantering as usual with Ben Bradlee, she would inquire about the sales of his memoir, "A Good Life." He'd answer, and she would say, triumphantly, "Well, I've sold more!" The success surprised and pleased her, especially when she won the Pulitzer Prize. "Now do you believe you've written a good book?" her pal Meg Greenfield wryly asked as they stood in the cheering Post newsroom. She did, and she may have even realized why. "Personal History" will live on long after the memoirs of most statesmen because it is honest. It is hard to imagine a powerful man, especially one who worked all his life in Washington, displaying such self-knowledge. From it, she found true power

The importance of good writing

"Jeff Bezos, the founder of Amazon (and the owner of this newspaper), insists that his senior executives write memos, often as long as six printed pages, and begins senior-management meetings with a period of quiet time, sometimes as long as 30 minutes, while everyone reads the 'narratives' to themselves and makes notes on them. In an interview with Fortune’s Adam Lashinsky, Bezos said: 'Full sentences are harder to write. They have verbs. The paragraphs have topic sentences. There is no way to write a six-page, narratively structured memo and not have clear thinking.'”

-Fareed Zakaria, "Why America's Obsession with STEM Education is Dangerous"
The Washington Post


Tuesday, March 24, 2015

Mistakes

"No you're not perfect but you're not your mistakes"
                -"Only One" Kanye West featuring Paul McCartney